3D printing - the craft of the 21st century     interactive connections between humans and technology     The colour green and a jewellery maker     Dutch textile museum and laboratory     Fragile threedimensionality     The making of a book     Heat and textiles     Mapping Dutch Conceptual Crafts 2009     studio talk with Andrea Wagner about her show in the USA     Essay for jewellerymaker Ineke Heerkens 2008     Kaunas Art Biennial 2007     ETN conference London 2007     Beyond Material 2006     010 sieraden groep 2006     East meets West 2005     Bauhaus revisited 2005     American Pies 2004     
 
3D printing - the craft of the 21st century
kM 79 edition is about 3D printing, where two of my articles will highlight the subject. Seven interviews with i.e. jewellery maker Ted Noten (guns and women), Jantje Fleischhut (the emotion of plastic) and designers Minela/Maeda (modular ceramic tableware) will describe these makers' approach towards 3D printing.

3D printing - the craft of the 21st century
Four interviews with jewellery makers and designers about their approach to 3D printing.
The relationship between craft and 3D printing is being discussed with Ted Noten, who uses 3D printing since several years and three new comers in this field. How userfriendly is the software ? What materials are available ? What is the CO2 footprint ? How is authenticity defined in this context and what is the thin line with massproduction ?
‘The flexibility of nylon’, ‘the emotion of plastic’, ‘a passion for guns and women’ and ‘digital tactility’ are the subtitles of the article.
3000 words in Dutch, to be published in kM 79 in september 2011
original title: 3D printing - het nieuwe ambacht ?

CAD/CAM and ceramics - sundaymorning@ekwc
(=formerly known as European Ceramic Workcentre in Den Bosch)
The Ceramic workcentre has a CAD/CAM studio with 3D printers and digital cutting machines which supplement their expertise with new tools. An interview with the coordinator of the studio, a sculptor and two designers about research and production during their three months’ artist in residency period. The use of digital tools leads to the evolution of a new postmodernist language in design and autonomous art. The adaptation of 3D printed models and moulds to ceramic processes has pitfalls, is challenging and yields new insights and elegant work. However - Rapid Prototyping is not as rapid as it seems.
2800 words in Dutch, to be published in september 2011
original title: CAD/CAM en keramiek

photographs: left - Ted Noten, middle - Jantje Fleischhut, right - Minela/Maeda

www.tijdschrift-km.eu