talking ceramics     Summary peer-reviewed chapter in Bloomsbury academic publication 2016     keramische fenix_ekwc     PDF summary of publications on material based making in 2015     3D weaving interview     The skin on milk 2013     Ode to earrings 2013     The economy of the line 2013     Image and language 2013     computational methods 2013     transnatural 2013     collecting and morphology in Art and Sciences 2012     The WOW! factor of Paper Biennial Rijswijk 2012     Postmodern taxidermia 2012     Computer design, six yards Dutch wax print and narrative African traditions 2012      cowhides and gold 2012      A world of glass 2012     webeditor for BOUNDLESS program     Travelling exhibition 'Golden Clogs Dutch mountains' 2012     Dirty Applied Art and Crafts at Sandberg Institute 2011     3D printing - the craft of the 21st century 2011     Interactive connections of humans and technology 2011     Jewellery maker Ineke Heerkens 2011     Textile Lab AUDAX 2011     Lace - fragile threedimensionality 2010     Laser cutting in the making of a book 2010     Heat in modern textiles 2010     Mapping Dutch Conceptual Crafts 2009     studio talk with Andrea Wagner 'Tales of migration' 2010     The colour green of jewellerymaker Ineke Heerkens 2008     Kaunas Art Biennial 2007     Beyond Material 2006     East meets West 2005     Bauhaus revisited 2005     American Pies 2004     
Editorial to 'Mapping Dutch conceptual crafts'
photographs of book launch and symposium 'Crafted', Amsterdam, 19 april
from left: co-editor Femke Glas, graphic designer Svea Gustavs, signing book for text editor Rowan Hewison
Mapping diversity
This book is about makers of conceptual crafts ( vrije vormgeving) and their work. It sets conceptual crafts within the broad context of the worlds of contemporary art and design. The six essays and numerous images sketch a picture of the past, present and future of conceptual crafts. The book represents a snapshot of the profession that continues to develop. Crafts and decorative arts are changing rapidly as a reaction to social changes resulting from globalisation, technological progress and the demand for sustainable design. These changes have created a new identity for makers whose essence is curiosity, constant innovation and the desire to produce multifaceted work.
The 94 photographs have been assembled by 35 experts: lectureres, gallery owners, members of various organisations. Instead of the usual subdivision by discipline ( textiles, glass, jewellery) we have opted for a more general theme for each chapter.
Chapter one is devoted to materials. Examples include a brooch of pressed silver, silk and polyester; a chain of felt and latex; three dimensional folded paper forms and experimental high-tech textiles with tactile and organic combinations of materials.
Chapter two focuses on people. Universal human themes are represented by objects such as a surreal upholstered chair for a nomad and cuddly toys specially designed for sick children.
Chapters three and four deal with design elements like stacking, collages and inspiration by existing objects.
In all chapters work with themes like sustainable design, social focus and public realm can be found.
Four Dutch and two foreign authors have written about aspects like the recent history and development of Dutch conceptual crafts, the economic position of makers on the international market and critical comments on the commercialisation of design.
The book is more than anything a sketchbook; showing conceptual-crafts-in-progress including a short summary of Dutch educations, a selected bibliography and websites.
published by BNO april 2009
for technical data and ordering info go to: productions