talking ceramics     Summary peer-reviewed chapter in Bloomsbury academic publication 2016     keramische fenix_ekwc     PDF summary of publications on material based making in 2015     3D weaving interview     The skin on milk 2013     Ode to earrings 2013     The economy of the line 2013     Image and language 2013     computational methods 2013     transnatural 2013     collecting and morphology in Art and Sciences 2012     The WOW! factor of Paper Biennial Rijswijk 2012     Postmodern taxidermia 2012     Computer design, six yards Dutch wax print and narrative African traditions 2012      cowhides and gold 2012      A world of glass 2012     webeditor for BOUNDLESS program     Travelling exhibition 'Golden Clogs Dutch mountains' 2012     Dirty Applied Art and Crafts at Sandberg Institute 2011     3D printing - the craft of the 21st century 2011     Interactive connections of humans and technology 2011     Jewellery maker Ineke Heerkens 2011     Textile Lab AUDAX 2011     Lace - fragile threedimensionality 2010     Laser cutting in the making of a book 2010     Heat in modern textiles 2010     Mapping Dutch Conceptual Crafts 2009     studio talk with Andrea Wagner 'Tales of migration' 2010     The colour green of jewellerymaker Ineke Heerkens 2008     Kaunas Art Biennial 2007     Beyond Material 2006     East meets West 2005     Bauhaus revisited 2005     American Pies 2004     
American Pies, Haystack Montain School of Crafts
published in: Newsletter, Surface Design Journal, spring 04 and Textil Plus 192/04 (in Dutch)
The well known school in Maine, USA, where I took part in a 2 week workshop with weaver Randy Darwall on a scholarship by the Dutch ' Scholingsfonds voor Kunst en Cultuur'. The article describes the different approach and attitude towards craft related design in the USA. Apart from studying technical skills I investigated the American market.
photographs: Randy Darwall and class, weaving studio and platform, Judi Jetson
'...Holland is a tiny waterlogged country where they talk a lot about design and consider Craft to be a dirty word. At the same time Holland has a great number of institutions that stimulate individual artists. Haystack's policy of of inviting a diversity of students in age and skill makes up for a very stimulating non-competitive climate where creativity can prosper.
What did I take home ? The freedom to feel emotion about cloth and a broader view on weaving, a realization about my roots - the Bauhaus tradition of my teachers from the Rietveld Academy which are reunited here with some great names like Anni Albers'.